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Store Vanish Point Death # 2 by Osamu Kanemura (signed)
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Vanish Point Death # 2 by Osamu Kanemura (signed)

$35.00

KILLER AGENT, 2025
Edition: 200 | 21x15cm | 66p

Edition 200 I Signed

Osamu Kanemura created his collage work Vanish Point Death using Everyday Notebook, a standard A5-size notebook commonly found in the U.S. This booklet serves as a follow-up to the popular first edition of Vanish Point Death.

Unlike his usual practice of working directly in ordinary books, Kanemura crafted this piece on blank paper, allowing all embedded elements to appear flatter and more densely layered. By scanning the original work, he further emphasized its highly non-painterly, perspective-less composition—eliminating the tactile unevenness typical of collage and heightening the visual equivalence of the elements.

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KILLER AGENT, 2025
Edition: 200 | 21x15cm | 66p

Edition 200 I Signed

Osamu Kanemura created his collage work Vanish Point Death using Everyday Notebook, a standard A5-size notebook commonly found in the U.S. This booklet serves as a follow-up to the popular first edition of Vanish Point Death.

Unlike his usual practice of working directly in ordinary books, Kanemura crafted this piece on blank paper, allowing all embedded elements to appear flatter and more densely layered. By scanning the original work, he further emphasized its highly non-painterly, perspective-less composition—eliminating the tactile unevenness typical of collage and heightening the visual equivalence of the elements.

KILLER AGENT, 2025
Edition: 200 | 21x15cm | 66p

Edition 200 I Signed

Osamu Kanemura created his collage work Vanish Point Death using Everyday Notebook, a standard A5-size notebook commonly found in the U.S. This booklet serves as a follow-up to the popular first edition of Vanish Point Death.

Unlike his usual practice of working directly in ordinary books, Kanemura crafted this piece on blank paper, allowing all embedded elements to appear flatter and more densely layered. By scanning the original work, he further emphasized its highly non-painterly, perspective-less composition—eliminating the tactile unevenness typical of collage and heightening the visual equivalence of the elements.

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