Robert Ryman: Works On Paper 1957-1964
Publisher : Peter Blum Edition, New York; First Edition (June 15, 2004)
Language : English
Hardcover : 72 pages
ISBN-10 : 0935875220
ISBN-13 : 978-0935875225
Dimensions : 8.24 x 0.53 x 10.68 inches
This exhibition catalog features works from Robert Ryman's early twenties, showcasing the period when he developed his disciplined painting approach. Ryman used off-white and translucent materials like wallpaper, coffee filters, newsprint, and mylar, employing a flat table for support. Establishing the square as a consistent format for non-narrative work, he initially used sporadic colors but later focused almost exclusively on white, eliminating superfluous elements from his paintings.
Publisher : Peter Blum Edition, New York; First Edition (June 15, 2004)
Language : English
Hardcover : 72 pages
ISBN-10 : 0935875220
ISBN-13 : 978-0935875225
Dimensions : 8.24 x 0.53 x 10.68 inches
This exhibition catalog features works from Robert Ryman's early twenties, showcasing the period when he developed his disciplined painting approach. Ryman used off-white and translucent materials like wallpaper, coffee filters, newsprint, and mylar, employing a flat table for support. Establishing the square as a consistent format for non-narrative work, he initially used sporadic colors but later focused almost exclusively on white, eliminating superfluous elements from his paintings.
Publisher : Peter Blum Edition, New York; First Edition (June 15, 2004)
Language : English
Hardcover : 72 pages
ISBN-10 : 0935875220
ISBN-13 : 978-0935875225
Dimensions : 8.24 x 0.53 x 10.68 inches
This exhibition catalog features works from Robert Ryman's early twenties, showcasing the period when he developed his disciplined painting approach. Ryman used off-white and translucent materials like wallpaper, coffee filters, newsprint, and mylar, employing a flat table for support. Establishing the square as a consistent format for non-narrative work, he initially used sporadic colors but later focused almost exclusively on white, eliminating superfluous elements from his paintings.
