Corrosion #2 by Hiroko Komatsu
Corrosion #2 by Hiroko Komatsu
Published in Tokyo, 2021.
Signed.
Edition: 1/20
Saddle-stitched booklet
8.5 x 6 in (22 x 15 cm)
B&W 24 pages
This series is included in the collection of The New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints, and Photographs."
Images of industrialized society, transferred onto tracing paper.
The cover is made of silver fiber based paper and handmade by the photographer.
”Meanwhile, by printing on tracing paper in corrosion, images from distinct pages merge and transform into new compositions depending on the direction in which they are viewed. Here, the opportunity for multiple (even competing) perspectives takes priority over any linear narrative that we might attempt to glean from the book.” from the Exhibition “Komatsu Hiroko: Second Decade”
Corrosion #2 by Hiroko Komatsu
Published in Tokyo, 2021.
Signed.
Edition: 1/20
Saddle-stitched booklet
8.5 x 6 in (22 x 15 cm)
B&W 24 pages
This series is included in the collection of The New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints, and Photographs."
Images of industrialized society, transferred onto tracing paper.
The cover is made of silver fiber based paper and handmade by the photographer.
”Meanwhile, by printing on tracing paper in corrosion, images from distinct pages merge and transform into new compositions depending on the direction in which they are viewed. Here, the opportunity for multiple (even competing) perspectives takes priority over any linear narrative that we might attempt to glean from the book.” from the Exhibition “Komatsu Hiroko: Second Decade”
Corrosion #2 by Hiroko Komatsu
Published in Tokyo, 2021.
Signed.
Edition: 1/20
Saddle-stitched booklet
8.5 x 6 in (22 x 15 cm)
B&W 24 pages
This series is included in the collection of The New York Public Library, Miriam and Ira D. Wallach Division of Art, Prints, and Photographs."
Images of industrialized society, transferred onto tracing paper.
The cover is made of silver fiber based paper and handmade by the photographer.
”Meanwhile, by printing on tracing paper in corrosion, images from distinct pages merge and transform into new compositions depending on the direction in which they are viewed. Here, the opportunity for multiple (even competing) perspectives takes priority over any linear narrative that we might attempt to glean from the book.” from the Exhibition “Komatsu Hiroko: Second Decade”
